Conference 21: Contributors
Find out more about the speakers and chairs taking part in Conference 21: Making Theatre Sustainable.
Claire manages Theatres at Risk work at Theatres Trust, as well as advising on theatre-related capital redevelopment. She studied architecture at the University of Sheffield and has worked for renowned practices including Panter Hudspith Architects, Burrell Foley Fischer LLP, and Bennetts Associates. She has experience working on new build and refurbishment projects, both within the arts sector and on heritage buildings, including projects for the Royal Shakespeare Company and the Royal Hall in Harrogate. Claire joined Theatres Trust in June 2015.
Molly previously served as Managing Director of Theatre Horizon, a non-profit professional theatre company in Norristown, PA. She has worked as a stage manager on Broadway, touring Broadway and regionally having spent three years on the road with the National Tour of Wicked and continues to serve as a substitute stage manager on Wicked and Hamilton. She founded the Philadelphia Green Theatre Alliance, a regional chapter of the Broadway Green Alliance, and is a trained Climate Reality Leader.
Oliver leads the production and buildings teams at Hull Truck Theatre. Oliver is a committee member for the Production Managers Forum, running a production management mentoring program, and was recently elected a Trustee Director of the Association of British Theatre Technicians (ABTT).
Lisa’s career at the National Theatre has spanned 20 years. She joined as Finance Director in 2001, before becoming Chief Operating Officer in 2010 and leading the NT Future renovation project. Lisa took on the role of Executive Director in 2015 and became Joint Chief Executive alongside Director Rufus Norris in 2019. She will be stepping down in 2022. During her tenure, Lisa has been instrumental in expanding audience access to the National Theatre. Her other passion has been working on the sustainability of theatre through the lens of the environment, talent development and the development of business models to achieve financial resilience. Lisa is Chair of the Lyric Theatre, Hammersmith. Contributor photo by James Bellorini.
Feimatta has worked across sustainability, technology development, digital culture and the arts for over 15 years, for organisations including the LSE, Arcola Theatre, Arcola Energy and FutureEverything. She is a Trustee of Artsadmin and Invisible Dust, an active member of the GMAST network and sits on the advisory committee for the Theatre Green Book. Outside of work, Feimatta is deeply involved with an educational children’s camping charity – she enjoys building communities and helping young people interact with nature. Contributor photo by Jez Smith.
Lucy was appointed Royal Court Theatre’s Executive Director in April 2013. Before that, she was the founding Executive Producer at National Theatre Wales alongside Artistic Director John McGrath. Previously, she was Executive Producer at the Donmar Warehouse, Head of Studio at the National Theatre, and Literary Manager at the Donmar Warehouse. Lucy is the Chair of Trustees for Clod Ensemble and Co-Chair with Alessandro Babalola of the Soho Theatre Walthamstow. She also sits on the Board at Brighton Dome and the Society of London Theatre. She is a Creative Climate Leader and Creative Green Champion 2020.
Paddy Dillon, Interim Chair of the Theatres Trust, architect and Co-ordinator of the Theatre Green Book
Paddy is noted as a theatre architect and conservationist, and as a writer and broadcaster. He led Haworth Tompkins’s architectural team for the award-winning regeneration of the National Theatre, and before that headed the regeneration of Snape Maltings. He was a director at Allies and Morrison Architects, leading projects for the Roundhouse and RADA, and is now an independent architect and consultant. He sits on the casework committee of the Twentieth Century Society, and the editorial board of ITEAC. Paddy became a Theatres Trust Trustee on 1 January 2016 and Interim Chair in September 2021. He is currently leading the work on the Theatre Green Book.
Simon is interested in architecture’s ability to positively influence life in towns and cities, whether it’s making masterplans, designing hybrid workspace and events buildings, or creating a new breed of all-day cultural hubs and performance venues. A common theme across his projects is the creation of places and buildings which encourage ownership, human interaction and shared experiences. Many of Simon’s projects have involved additions and transformations of existing historic buildings including the Stirling Prize shortlisted Royal Shakespeare Theatre, Shaftesbury Theatre, Storyhouse and The Old Vic. His depth of knowledge in theatre and performing arts is the result of over twenty years’ experience in the sector.
Nik has been at the Mercury for over 21 years, holding a variety of roles and responsibilities. He has just finished project managing the theatre side of its £11m refurbishment project, Mercury Rising. Nik is responsible for maintenance, health and safety, IT and, more recently, the catering operation at the Mercury. Prior to working at the theatre, he worked in the RAF Regiment, Suffolk Fire Service, the IT industry, catering and security.
Caroline has worked in West End theatres for over 23 years and has come a long way since her original training in musical theatre of jazz hands and tap shoes. She previously worked for Sir Stephen Waley-Cohen and for the last seven years at Delfont Mackintosh she has managed a number of the West End’s historic buildings, some of which have been through major transformational changes.
Following a number of leading technical roles at major theatres including three years as Chief Electrician/Lighting Designer at the Theatre Royal in Richmond and a Directorship at Theatre Projects, Andy co-founded Charcoalblue in 2004. Andy has lectured at UK and US universities and has written extensively on the subject of performance space design for the ABTT and the International Theatre Engineering and Architecture Conference. He was the first theatre consultant to be featured in The Stage’s ‘Power 100’ and received the LIPA Companionship from Sir Paul McCartney. Andy’s recent consultancy work includes ART in Cambridge, MA; The Yard at Chicago Shakespeare Theater, Sydney Theatre Company’s new Wharf Spaces, the Apollo Theatre in Harlem and new performing arts spaces for Oxford University. While there’s so much more to be done, he’s proud of Charcoalblue’s support of and contribution to the Theatre Green Book and the Sustainability in Production Alliance (SIPA).
Mark is a hospitality professional with extensive experience in events, restaurants and venue operations. As Hospitality Director at HQ Theatres, he takes responsibility for the strategic direction and coordination of the hospitality and events operations across the group. Mark has raised the awareness of the impact of procurement decisions on the environment and society and works passionately to foster a responsible and balanced approach to delivering value and experience for guests in HQ Theatres’ venues. For Mark, key to improving sustainability in theatres is to reimagine procurement and challenge the way we evaluate it.
Darren has worked for a number of funded arts companies such as Welsh National Opera, National Theatre and Scottish Opera. He has worked with a number of drama schools and colleges and was recently made a Fellow at Rose Bruford College. He is currently the external examiner for the Theatre Productions arts course at Bath Spa University and a Trustee for English Touring Opera. Outside of work he enjoys spending time with his twins and exploring the British coast.
Vanessa Lefrancois, Joint Director and CEO, Oxford Playhouse
Vanessa enjoyed an international career as a director, choreographer and producer working in opera, dance and theatre for over 15 years. In 2006, she joined the senior management team at The Place, as Director of Recreational and Prevocational Dance. In 2015, she became the first CEO of Taunton Theatre Association, responsible for re-establishing the Brewhouse Theatre in Somerset, following a period of closure. In 2021, Vanessa was appointed Joint Director and CEO at the Oxford Playhouse and formed the company’s Green Team.
Meg Magill, Producer, Tinderbox Theatre Company
Meg has been Producer of Tinderbox Theatre Company since December 2020, where adopting the Theatre Green Book principles has been one of her key priorities. Meg has worked extensively as a stage manager in Northern Ireland and in 2020 she obtained a Master’s degree in Event Management from Ulster University. As a producer, she is passionate about developing new performance work, creating theatre in unconventional spaces and increasing arts engagement with new audiences. Meg is incredibly committed to championing Northern Ireland’s artistic talent and creating environmentally conscious art, both in content and working practice.
Steve was appointed Mercury Theatre’s Executive Director in 2014. Steve has held a variety of senior roles in the arts for organisations, such as London 2012, Shape, Stonewall, Battersea Arts Centre, Graeae Theatre Company, and The Albany Empire. He has also been an advisor, consultant and board member to various bodies and arts organisations - including Arts Council England, the British Council, Deaf Men Dancing, Hackney Empire and Ministry of Stories. Steve is currently on the board for Visit Essex, Colchester LCEP, Haven Gateway and was appointed an Ambassador for Colchester in 2018. In 2011, Steve was awarded an honorary fellowship by Rose Bruford College for his contribution to theatre and the arts.
Laura joined Max Fordham and Partners in 1996. Early career projects included the new-build Landmark Theatre in Ilfracombe and feasibility studies at Totnes Dartington Hall. In 1999 Laura moved to Atelier Ten as a Senior Mechanical Engineer, where she stayed until 2010, undertaking many projects at the National Theatre. She joined Ingleton Wood LLP in 2010 where she was Project Engineer for the naturally ventilated Shed Theatre at the NT. In 2020 she was appointed as a Commissioner for the Essex Climate Action Commission and is also a Fellow and Board Member of CIBSE.
Katy Marks, Director, Citizens Design Bureau Architects
Katy has been designing buildings for arts, culture, and community organisations for over 20 years. She has worked on some of the country’s best-loved venues with an innovative and playful approach to sustainability – from naturally ventilated auditoria and concrete-free construction to a community-built, biodegradable arts centre made of straw bale that is currently under construction.
Executive Director of Hull Truck Theatre since August 2013, Janthi has dramatically improved the theatre's resilience through developing the organisation’s business model - balancing producing work alongside a programme of visiting and community productions. She has built a strong team and introduced new personnel and diversity initiatives to ensure continued growth and development. She was instrumental in the theatre being a key partner in Hull UK City of Culture 2017; building an ambitious programme, relationships with key partners, and a national profile for the theatre. She has been on the board of UK theatre since 2017. Previous experience in other regional producing theatres includes six years at the Coventry Belgrade as General Manager where she set up an award-winning apprenticeship scheme and four years as Community Development Manager at Derby Playhouse where she set up the Hot Tickets scheme, a DCMS model of best practice.
Jon is responsible for leading the work of the Trust, and the development and delivery of the Trust's strategy. With a wealth of experience across the theatre and arts industry, Jon joined us from the Federation of Scottish Theatre (FST) where he had been Director since 2008. Jon's previous roles include Director of Edinburgh Festival Fringe, Executive Producer of Contact Theatre, Manchester and General Manager of TAG, Glasgow with earlier periods at Royal Conservatoire Scotland and Orchard Theatre, Kent. Jon joined Theatres Trust in January 2017.
Dave has worked as an arts professional for over 30 years. He currently leads HOME a purpose-built 7,500m2 multi-artform venue that opened in May 2015, a project he conceived. He is currently on secondment to Manchester City Council in a part-time role of Director of Culture responsible for advising the council on policy and strategy for culture. Dave has worked in Manchester in leadership roles in the arts since 1984, previously at Abraham Moss Centre Theatre, Arts About Manchester, and Cornerhouse. Dave was awarded a Doctor of Arts honoris causa by the University of Salford is a Fellow of the RSA, a member of the Chartered Management Institute, and the British Academy of Film and Television Arts. He is an advisor to the British Council and holds a number of non-executive roles on not-for-profit boards.
Claire worked for 15 years in strategy, marketing, and sustainability at a senior level in Coca-Cola and Heineken Ireland before moving into the arts four years ago. Currently Head of Development and Marketing at the Lyric Theatre, prior to this she worked for the National Trust and The MAC Belfast managing their marketing and communications. Claire is also an independent theatre producer supported by Stage One and is Vice-Chair of Theatre and Dance NI. She is a founder member of the Green Arts Collective, whose aim is to provide a collective cultural response to the Climate Crisis in Northern Ireland.
Melly Still, Director
Melly has worked as a director, choreographer, designer and adaptor; she has been nominated as Best Director and for Best Design at both the Olivier and Tony Awards for her National Theatre production of Coram Boy. Melly directed a new production of Missy Mazzoli’s opera Breaking the Waves for Theater St Gallen in September 2021, and she will return to Glyndebourne in 2022, directing the Festival’s opening production The Wreckers by Ethel Smythe. Melly will return to the Rose Theatre to direct Colin Teevan’s new play Seven Pomegranate Seeds. Melly made her operatic debut with Rusalka at Glyndebourne in 2009 and returned in 2016 creating a new production of The Cunning Little Vixen. Other recent productions include Cymbeline for the RSC; From Morning til Midnight, The Revenger’s Tragedy and Coram Boy at the National Theatre; Captain Corelli’s Mandolin in London West End and a UK Tour of The Lovely Bones.
Graham Sutherland, Head of Production, Citizens Theatre
Graham has a background in lighting and sound. He has spent much of his time in recent years as a client representative on Citizens Theatre’s multi-million-pound redevelopment project. As part of the theatre’s Green Team, he is also one of the organisation’s Sustainability Champions.
Gemma Swallow, Technical Director, National Theatre of Scotland
Gemma started her career in technical theatre in Scotland as a stage manager and production manager with Wildcat Stage Productions and 7:84 Theatre Company in the late 80s and early 90s before moving to London. During a decade in London, she worked nationally and internationally with companies such as Theatre de Complicité, National Theatre, the Young Vic and Stomp. Returning to Scotland in 2020 she worked as a freelance production manager in theatres, festivals and touring until 2013. She was then appointed technical director at the National Theatre of Scotland (NTS), where she has championed the work of women backstage as well as driving the company’s green policies. Contributor photo by Eoin Carey.
Steve Tompkins, Director, Haworth Tompkins
Steve leads Haworth Tompkins’ Performing Arts team alongside co-directors Roger Watts and Lucy Picardo - completed projects include the Royal Court, the Young Vic, NT Future, BAC, Snape Maltings, the Egg, The Bridge, the Bush, Liverpool Everyman (Stirling Prize winner 2014), Bristol Old Vic and the recently completed Theatre Royal Drury Lane. He is also the founder of the environmental group Architects Declare, now 7,000 organisations strong in 27 countries. In 2019 The Stage named him the most influential person in British theatre and this year he was awarded an MBE for services to architecture and to the arts.
Katie has led Theatre Royal Wakefield, a Grade II* listed Frank Matcham theatre in West Yorkshire since the end of 2015. She has taken the organisation through a process of rapid creative and organisational change, including building and opening a new extension. She previously worked as General Manager for the National Theatre’s Learning Department. Originally qualifying as a non-practicing barrister, she decided a career in the arts seemed more interesting, initially working at the Royal Opera House and then in a number of smaller arts organisations, including Candoco Dance Company. Katie became a Theatres Trust Trustee on 14 September 2020.
Since 2009, Heidi has worked to establish European Theatre Convention (ETC) as a European network with an international programme of artistic collaboration, professional development, and advocacy for public theatres across more than 25 countries. She was invited to the European Expert Network on Culture and Audiovisual (EENCA) as an expert author and co-initiated the European Theatre Forum with the European Commission and German EU Council Presidency. Heidi started her career as an international producer and touring manager for artists Victoria Chaplin and The Tiger Lillies, touring around Europe and Asia at major festivals and theatre venues. A cultural manager with degrees from La Sorbonne and Leuphana University, she has lived and worked over the last 20 years in the UK, US, France and Germany. Contributor photo by Cornelia Gloth.
Richard has had an extensive career as a tour manager and drum technician working with artists such as Elton John, The Who, The Foo Fighters, Bruce Springsteen and The Prodigy. Richard has been at the Playhouse for 12 years and has overseen a range of building projects including front of house and auditorium refurbishments, sound insulation and access works. Richard is responsible for the Playhouse’s building decarbonisation strategy.
David studied at Newcastle University where he became involved with the restoration of the Tyne Theatre & Opera House. On Christmas Day 1985 the stage house was gutted by fire and he spent the next two years restoring the theatre a second time. He formed Theatresearch in 1986 and has been involved in many theatre restoration projects including the Georgian Theatre Royal, Richmond (1788), Theatre Royal Newcastle (1837 & 1901), Theatre Royal Bristol (1766), and the Gaiety Theatre & Opera House, Isle of Man (1900). He has a Ph.D. in the development of nineteenth-century stage technology, is a past Chairman of both the ABTT and the OISTAT Research Commission, and is a Leverhulme Post-Doctoral Research Fellow at the University of Manchester. Theatresearch acts as lead consultants for theatre restoration projects including Theatre Royal Newcastle, Darlington Hippodrome, and the recently reopened Art Deco Stockton Globe.
Peter’s varied career includes working as a drama teacher, setting up a small theatre lighting company, joining Romiley Little Theatre (RLT), being chairman of Hyde Festival Theatre and forming the Hyde Festival Theatre Company to produce small-scale touring productions. RLT is now his main focus. RLT lacked a permanent home for many years and he was instrumental in obtaining a derelict building for it. Over the last 10 years, he has overseen its conversion into a studio theatre, designed to be as sustainable as possible within a very tight budget.
Andrew is a Partner at Buro Happold with responsibility for leading the portfolio of the UK Culture Sector projects. He specialises in structural engineering and has extensive experience in leading multi-disciplinary design teams on a range of new build and refurbishment theatre projects. Currently, he is leading the Buro Happold team authoring the Theatre Green Book, as well as leading its response to the Climate Emergency, focusing on regenerative low carbon engineering. He has a Master’s degree in Inter-Disciplinary Design for the Built Environment from the University of Cambridge, is a Chartered Engineer and a member of the ABTT. He has a passion for timber design and engineering, designing some of the first buildings in the UK to use Cross Laminated Timber. He has worked on high-profile performance venues including the Royal Shakespeare Theatre, The Factory in Manchester, Marlowe Theatre in Kent, and St Georges in Bristol.