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• Corporate supporter Buro Happold

  Buro Happold is maximising the impact of cultural venues around the world and defining best practice in the post-pandemic green recovery.

• Corporate supporter The Royal Central School of Speech and Drama

  Higher education conservatoire. With over 60 academic staff, Central has the largest grouping of drama/theatre/performance specialists in the UK, an active research culture and is a hub for the theatre and performance industries.

• Corporate supporter Theatre Royal Plymouth

  A cultural centre for the south west, TRP specialise in the production of new plays and producing musicals and drama. We have a broad and significant engagement and learning programme and an award-winning production and learning centre, TR2.

• Publication Scene/Unseen: London’s West End Theatres

  This book celebrates the working buildings at the heart of the British theatrical industry. It explores what constitutes a West End theatre, both culturally and physically, and outlines a brief history of their architecture.

• FAQ article What are the different styles of theatre decoration?

• Theatre at risk Brighton Hippodrome

  The UK’s most architecturally significant circus theatre – the finest surviving example of its type in the country.

• Theatre at risk Burnley Empire

  Burnley’s only Grade II listed purpose-built Victorian theatre. The auditorium was reconstructed in 1911 by eminent theatre architect Bertie Crewe and survives in its original, elaborate form.

• Theatre at risk Theatre Royal

  Built in 1845, this is Manchester's oldest surviving theatre building and one of the finest examples of theatre architecture to have survived in Britain from the first half of the nineteenth century.

• Theatre at risk Joe Longthorne Theatre (former North Pier Pavilion)

  An Art Deco pier pavilion in Blackpool dating from the 1930s, now one of only six operating pier theatres in the country.

• Theatre at risk Garston Empire

  A rare surviving example of a ciné-variety house, built in 1915 to show both theatre and silent films to the local Liverpudlian working-class community.