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Found 257 results for your search.
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Theatre at risk
Burnley Empire
Burnley’s only Grade II listed purpose-built Victorian theatre. The auditorium was reconstructed in 1911 by eminent theatre architect Bertie Crewe and survives in its original, elaborate form.
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Theatre at risk
Hulme Hippodrome
A music hall with a spectacular auditorium with gilded Rococo plasterwork and a Floral Hall, an Edwardian atrium and waiting area for theatre patrons. An iconic building of social, historical, and architectural significance; currently in poor repair.
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Donor
The Wolfson Foundation
The Wolfson Foundation awards grants to support and promote excellence in science and medicine, the arts and humanities, education and health and disability. The Foundation has provided sole grant support for the Theatre Improvement Scheme since 2018.
- Case study SPID Theatre
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Theatre at risk
Spilsby Sessions House (Spilsby Theatre)
Situated in an impressive former sessions house and gaol, this is the only venue for dedicated arts and community activity in Spilsby.
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Theatre at risk
Joe Longthorne Theatre (former North Pier Pavilion)
An Art Deco pier pavilion in Blackpool dating from the 1930s, now one of only six operating pier theatres in the country.
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Donor
Soho Estates
Soho Estates believe that small theatres are the genesis for bold and innovative productions and provide an important role in local communities. It was a founder donor of our London Small Theatres Grants Scheme, repurposed as Theatre Reopening Fund.
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Donor
The Mackintosh Foundation
Cameron believes London's smaller theatres provide an irreplaceable training ground for creative talent. His foundation donated money to our London Small Theatres Grants Scheme (2015/2020), Theatre Reopening Fund (2020/21) and Small Grants Proramme.
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Donor
Andrew Lloyd Webber Foundation
Andrew Lloyd Webber works to promote the arts, culture and heritage for public benefit. The Foundation provided grant support for our UK Theatres Grants Scheme, which was been repurposed as the Theatre Reopening Fund 2020/21.
- Contributor Richard Blyth